Jonas Dahl, Arne Kvalvik, Kjetil Ovesen and Ådne Meisfjord finally released “120 II” at the end of last year. The sequel to the eponymous monument of a first album took the band in an even darker and more intense direction than before. Guitars, bass and drums are replaced with synthesizers in this dystopic, barren, but still organic sound. It is as much allowed to just nod your head slightly, as it is to dance your socks off with your hands in the air. Because it matters when120 Days takes to the stage, coaxing out the prince of darkness from old synths and a kick drum .